The emperors' album : images of Mughal India
Stuart Cary Welch (Author), Annemarie Schimmel (Author), Marie Lukens Swietochowski (Author), W. M. Thackston (Author), Metropolitan Museum of Art (New York, N.Y.), Hagop Kevorkian Fund (Sponsor)
"Here the fifty leaves that form the Kevorkian Album, one of the world's great assemblages of Mughal art and calligraphy, are presented together for the first time. Thirty-nine leaves date from the seventeenth century; the other eleven leaves were created in the early nineteenth century and were bound with the earlier ones, most probably by a Delhi art dealer. The resulting album took its name from Hagop Kevorkian, a noted benefactor of the Metropolitan Museum and of many other cultural institutions ... In Stuart Cary Welch's introduction and in the texts he has written for each painting, these artists are identified, and the biographical information available for each is given ... Welch's historical introduction is extended and expanded by the biographical essays Wheeler M. Thackston has contributed for the subjects of each of the portraits. Based on primary sources, these accounts are an invaluable overview of the Mughal world ... In her introduction Annemarie Schimmel discusses the paramount place accorded calligraphy in the Muslim aesthetic. She also assesses Mir-'Ali's accomplishments as a calligrapher and as a poet ... The rich borders of Mughal album leaves are extraordinary works of art in themselves. Marie L. Swietochowski's carefully argued introduction discusses not only the leaves from the Kevorkian Album but also those from the Minto and Wantage albums and from other sources ... "--Metropolitan Museum website, viewed December 30, 2021
Print Book, English, 1987
The Metropolitan Museum of Art, New York, 1987