Ragged but right : black traveling shows, "coon songs," and the dark pathway to blues and jazz
Lynn Abbott (Author), Doug Seroff (Author)
The commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren't Scott Joplin's stately piano rags. "Coon songs," with their ugly name, defined ragtime for the masses. Though the name itself is offensive to modern ears, it is impossible to investigate black popular entertainment of the ragtime era without directly confronting the "coon songs" which cleared the way for the "original blues.". In Rag
eBook, English, 2007
1st ed
University Press of Mississippi, Jackson, 2007